In this work the results deriving from the characterization of materials used by Lucio Fontana to realize some of his artworks are presented. Specifically, object of analyses are three artworks from the collection of National Gallery of Modern and Contemporary Art in Rome, whose complex composition required the combination of different diagnostic techniques for a complete characterization. Microscopic fragments from the artworks were analyzed through X-Ray Fluorescence (XRF), Fourier Transformed InfraRed (FTIR) spectroscopy, in transmission and in Attenuated Total Reflectance (ATR) mode, and Raman spectroscopy to obtain information on the atomic and molecular species and to individuate pigments and binders. In one case, the richness in different materials and the not homogenous distribution on the artwork surface required the additional use of portable techniques, as Visible Light Reflectance and Raman spectroscopies with optical fiber probes, to map the surface. The combination of these techniques resulted to be a powerful tool in order to obtain a complete characterization of artist's choices and provided new information to understand the evolution of his technique.
Lucio Fontana and the light: Spectroscopic analysis of the artist's collection at the National Gallery of Modern and Contemporary Art / Ciccola, A.; Tozzi, L.; Romani, M.; Serafini, I.; Ripanti, F.; Curini, R.; Vitucci, F.; Cestelli Guidi, M.; Postorino, P.. - In: SPECTROCHIMICA ACTA. PART A, MOLECULAR AND BIOMOLECULAR SPECTROSCOPY. - ISSN 1386-1425. - 236:(2020), p. 118319. [10.1016/j.saa.2020.118319]
Lucio Fontana and the light: Spectroscopic analysis of the artist's collection at the National Gallery of Modern and Contemporary Art
Ripanti F.;
2020-01-01
Abstract
In this work the results deriving from the characterization of materials used by Lucio Fontana to realize some of his artworks are presented. Specifically, object of analyses are three artworks from the collection of National Gallery of Modern and Contemporary Art in Rome, whose complex composition required the combination of different diagnostic techniques for a complete characterization. Microscopic fragments from the artworks were analyzed through X-Ray Fluorescence (XRF), Fourier Transformed InfraRed (FTIR) spectroscopy, in transmission and in Attenuated Total Reflectance (ATR) mode, and Raman spectroscopy to obtain information on the atomic and molecular species and to individuate pigments and binders. In one case, the richness in different materials and the not homogenous distribution on the artwork surface required the additional use of portable techniques, as Visible Light Reflectance and Raman spectroscopies with optical fiber probes, to map the surface. The combination of these techniques resulted to be a powerful tool in order to obtain a complete characterization of artist's choices and provided new information to understand the evolution of his technique.I documenti in IRIS sono protetti da copyright e tutti i diritti sono riservati, salvo diversa indicazione.
